Narciso Yepes made "El Testament de l'Amelia (Chanson Catalane)" available on January 27, 1953. The duration of El Testament de l'Amelia (Chanson Catalane) is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. El Testament de l'Amelia (Chanson Catalane)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Presenting Narciso Yepes". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Germany. In terms of popularity, El Testament de l'Amelia (Chanson Catalane) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With El Testament de l'Amelia (Chanson Catalane) by Narciso Yepes having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guitar Quintet in C Major, G. 453 "Ritirata di Madrid": III. Allegro | Luigi Boccherini, Narciso Yepes, Cuarteto Clásico de Radio Nacional de Madrid | D Major | 1 | 10B | 84 BPM | ||
Suite Espanola (arr. for guitar) | Pepe Romero, Gaspar Sanz, Celedonio Romero | G Major | 1 | 9B | 103 BPM | ||
Castillos de Espana II: No. 6. Torija | Federico Moreno Torroba, Ana Vidovic | D Major | 0 | 10B | 124 BPM | ||
Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: VI. Les sauvages (Arr. M. Grizard for Guitar) | Jean-Philippe Rameau, Raphaël Feuillâtre | E♭ Minor | 1 | 2A | 94 BPM | ||
Recuerdos de la Alhambra : Recuerdos de la Alhambra | Norbert Kraft | A Major | 1 | 11B | 75 BPM | ||
Concerto for Clarinet and Orchestra No. 3 in F Major "Il Mezzetino": III. Andante | Antonio Vivaldi, Martin Fröst, Concerto Köln | E Minor | 0 | 9A | 119 BPM | ||
Concertino para guitarra y orquesta en la menor op.72: 2. Romanza. Andante | Salvador Bacarisse, Narciso Yepes, Orquesta Sinfonica de la Radio Television Espanola, Odon Alonso | A Major | 1 | 11B | 90 BPM | ||
Eterna Saudade | Dilermando Reis, Xuefei Yang | D Minor | 1 | 7A | 73 BPM | ||
E.Pujol: Tres Piezas Espanõlas - 3. Guajira | Emilio Pujol, Aniello Desiderio | D Major | 1 | 10B | 105 BPM | ||
Jésus que ma joie demeure, BWV 147: Chorale prélude | Judicaël Perroy | G Major | 0 | 9B | 74 BPM |