Maurice Greene, Peter Holman, Catherine Bott, The Parley of Instruments's 'Orpheus with His Lute' had a release date set for April 1, 2004. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Orpheus with His Lute's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Orpheus with His Lute: Music for Shakespeare from Purcell to Arne (English Orpheus 50)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Orpheus with His Lute is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Orpheus with His Lute by Maurice Greene, Peter Holman, Catherine Bott, The Parley of Instruments having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Overtures … in 7 Parts: Overture No. 6 in E-flat Major: I. Con spirito | Maurice Greene, David Schrader, Baroque Band, Garry Clarke | F♯ Major | 2 | 2B | 124 BPM | ||
Geistliche Chormusik, Op. 11: 4. Verleih uns Frieden genädiglich, SWV 372 | Heinrich Schütz, Frauke Hess, Ludger Rémy, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann | A♭ Minor | 1 | 1A | 75 BPM | ||
Magnificat & Nunc dimittis in G Major, Op. 81: I. Magnificat | Sir Charles Villiers Stanford, Choir of New College, Oxford, Christopher Glynn, Edward Higginbottom | G Major | 1 | 9B | 78 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Martin Pearlman, Boston Baroque | G Major | 1 | 9B | 81 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
Voluntary No. 11 in B Minor | Maurice Greene, Choir of New College, Oxford, Edward Higginbottom, Gary Cooper, Timothy Morris | B Minor | 0 | 10A | 96 BPM | ||
Stabat Mater Dolorosa à dix voix: Stabat Mater Dolorosa | Domenico Scarlatti, Ensemble William Byrd, Graham O'Reilly, Catherine Greuillet, Raphaële Kennedy, Sophie Decaudaveine, Brigitte Vinson, Pascal Bertin, Vincent Darras, Bruno Boterf, Raphaël Boulay, François Fauche, Paul Willenbrock | B Minor | 2 | 10A | 129 BPM | ||
Also hat Gott die Welt geliebt, SWV 380 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze | F Minor | 2 | 4A | 72 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 8. Chor. Gloria Patri et Filio | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 139 BPM | ||
Ich lasse dich nicht, BWV Anh. 159 | Johann Sebastian Bach, Johann Christoph Bach, Vox Luminis, Lionel Meunier | E Minor | 1 | 9A | 86 BPM |