Giuseppe Tartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks's 'Tartini: Flute Concerto No. 2 in G Major: II. Andante' had a release date set for March 31, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jean-Pierre Rampal, Antonio Vivaldi, Baldassare Galuppi, Giovanni Battista Pergolesi, Giuseppe Sammartini, Giuseppe Tartini, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks's "Italian Flute Concertos: Vivaldi, Tartini, Sammartini, Pergolesi & Galuppi" album is number 2 out of 15. On top of that, France appears to be the country where this track was created. Tartini: Flute Concerto No. 2 in G Major: II. Andante is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tartini: Flute Concerto No. 2 in G Major: II. Andante by Giuseppe Tartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks to be Lento (slowly) because the track has a tempo of 46 テンポ, a half-time of 23テンポ, and a double-time of 92 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Cant dels Ocells (Arr. for Violin and Orchestra by Matthias Spindler) | Traditional, Luka Faulisi, Martyna Pastuszka, {oh!} Orkiestra | C Major | 1 | 8B | 80 BPM | ||
Concerto grosso No. 4 in A Minor, Op. 6/4, HWV 322: III. Largo, e piano | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Minor | 4 | 1A | 75 BPM | ||
Morning Song No. 2, Op. 15 | Edward Elgar, Rachel Talitman, Marcos Fregnani-Martins, Pierre Henri Xuereb | E♭ Major | 0 | 5B | 127 BPM | ||
Ave Maria for String Quartet | Leone Sinigaglia, Archos Quartet | A Major | 0 | 11B | 165 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Sonata I in B Minor, HWV 386, Op. 2 No. 1: I. Andante - Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | ||
Symphony in C Major, J-C 4: II. Andante | Giovanni Battista Sammartini, I Virtuosi Italiani, Alberto Martini | G Major | 1 | 9B | 79 BPM | ||
Chugoku Chiho No Komoriuta (Lullaby from the Chugoku Area) | Lily Laskine, Jean-Pierre Rampal | F Minor | 0 | 4A | 82 BPM | ||
Halljuk (Hear! Hear!) Csardas | Márk Rózsavölgyi, Budapest Strings, Karoly Botvay | D Minor | 1 | 7A | 172 BPM |