"T’aggio voluto bbene (arr. G. Morini): T'aggio voluto bbene (arr. G. Morini)" by Guido Morini, Gaetano Latilla, Marco Beasley, Accordone was released on April 1, 2013. Since T’aggio voluto bbene (arr. G. Morini): T'aggio voluto bbene (arr. G. Morini) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Storie Di Napoli". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. T’aggio voluto bbene (arr. G. Morini): T'aggio voluto bbene (arr. G. Morini) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With T’aggio voluto bbene (arr. G. Morini): T'aggio voluto bbene (arr. G. Morini) by Guido Morini, Gaetano Latilla, Marco Beasley, Accordone having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia quinta (Excerpt) | Salomone Rossi, Constantinople | A Minor | 1 | 8A | 67 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
Qu'on ne me parle plus d'amour | Pierre Guédron, Le Poème Harmonique, Vincent Dumestre | G Minor | 1 | 6A | 94 BPM | ||
Che farala che dirala | Vincenzo Capirola, Christopher Wilson | F Minor | 0 | 4A | 97 BPM | ||
Mit Fried und Freud ich fahr dahin, BuxWV 76 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
Pieces de viole: Suite No. 2 in G Major: III. La Du Beuil | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Eguez, Guido Morini | B Minor | 0 | 10A | 79 BPM | ||
Sonata in E Minor, Op. 2 No. 8: II. Ritornello (Largo, e staccato - Cantabile) | Francesco Maria Veracini, Enrico Gatti, Alain Gervreau, Guido Morini | D♭ Major | 2 | 3B | 83 BPM | ||
Tarantelas | Santiago De Murcia, Erik Bosgraaf, Izhar Elias, Alessandro Pianu | B Major | 1 | 1B | 73 BPM | ||
Prima die Lectio prima: III. Quomodo sedet sola | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 1 | 11A | 89 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM |