Henry Purcell, Raymond Leppard, English Chamber Orchestra made "Sonata in D for Trumpet, Strings and Continuo: I. Allegro" available on 1967. With Sonata in D for Trumpet, Strings and Continuo: I. Allegro being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Raymond Leppard's "Great CBS Masterworks Recordings of Baroque Favorites from "Kramer vs. Kramer"" album is number 8 out of 20. On top of that, United States appears to be the country where this track was created. The popularity of Sonata in D for Trumpet, Strings and Continuo: I. Allegro is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sonata in D for Trumpet, Strings and Continuo: I. Allegro by Henry Purcell, Raymond Leppard, English Chamber Orchestra to be Presto (very, very fast) because the track has a tempo of 177 テンポ, a half-time of 88テンポ, and a double-time of 354 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Concerto For Oboe And Strings: V. Giga | Arcangelo Corelli, Instrumental, Brynjar Hoff, Ian Watson, English Chamber Orchestra | F Major | 1 | 7B | 109 BPM | ||
Symphony in E-Flat Major, W. I/10: II. Andante assai | Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | C Minor | 1 | 5A | 171 BPM | ||
Hippolyte et Aricie, RCT 43: Hippolyte et Aricie, RCT 43: II. Air en rondeau pour les amours. Gracieusement | Jean-Philippe Rameau, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 0 | 11B | 108 BPM | ||
Trio Sonata in B Minor, H. 567: III. Presto | Carl Philipp Emanuel Bach, Lisa Batiashvili, Emmanuel Pahud, Sebastian Klinger, Peter Kofler | A Major | 2 | 11B | 110 BPM | ||
The Indian Queen, Z. 630 : Act III - Third Act Tune (Rondeau) | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | A♭ Major | 0 | 4B | 114 BPM | ||
Symphony No. 1 in E Major: II. Andantino | John Abraham Fisher, Czech Philharmonic Chamber Orchestra, Petra Žďárská, Michael Halasz | A Major | 0 | 11B | 112 BPM | ||
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Handel: Recorder Sonata in D Minor, Op. 1 No. 9a, HWV 367a (Reconstructed & Orchestrated by Jean Thilde): II. Vivace | George Frideric Handel, Maurice André, Sir Charles Mackerras, English Chamber Orchestra | D Minor | 3 | 7A | 114 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: VII. Gigue | Cologne Chamber Orchestra, Georg Philipp Telemann | A Major | 2 | 11B | 118 BPM |