Guillaume Dufay, Catherine King, Steven Harrold, Julian Podger, Stephen Charlesworth's 'Je vous pri / Tant que mon argent / Ma tres douce amie' came out on April 27, 2018. With Je vous pri / Tant que mon argent / Ma tres douce amie being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Dufay spectacle". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Je vous pri / Tant que mon argent / Ma tres douce amie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Je vous pri / Tant que mon argent / Ma tres douce amie by Guillaume Dufay, Catherine King, Steven Harrold, Julian Podger, Stephen Charlesworth having a テンポ of 65 with a half-time of 32 テンポ and a double-time of 130 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Non Perch' i' speri, donna (ballata) - 2000 Remastered Version | Lorenzo Masini, Michel Piguet/Ricercare-Ensemblefür Alte Music Zürich | D Minor | 2 | 7A | 99 BPM | ||
Cantiga de Santa Maria 300: Muito deveria ome sempr' a loar | Ensemble Discantus, Brigitte Lesne | A♭ Minor | 1 | 1A | 108 BPM | ||
Prelude, P. 98 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
Ave maris stella | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Minor | 0 | 8A | 70 BPM | ||
Qual Lege Move | Bartolino da Padova, Ensemble Syntagma, Alexandre Danilevski | E Major | 1 | 12B | 141 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Missa "Ecce ancilla Domini / Beata es Maria": I. Kyrie | Guillaume Dufay, Cut Circle, Jesse Rodin | D Major | 2 | 10B | 80 BPM | ||
Cancionero musical de palacio: No. 16, A los baños del amor | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 166 BPM | ||
The Earle of Essex Galiard | John Dowland, Flanders Recorder Quartet | E♭ Minor | 0 | 2A | 64 BPM |