John Garth, Dimitri Demetriades, Alexander Baillie, European Union Chamber Orchestra made "Cello Concerto No. 2 in B-Flat Major: I. Allegro moderato" available on February 1, 2000. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Concerto in Europe: Paisiello, Grétry, Stamitz & Garth". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Cello Concerto No. 2 in B-Flat Major: I. Allegro moderato's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Cello Concerto No. 2 in B-Flat Major: I. Allegro moderato by John Garth, Dimitri Demetriades, Alexander Baillie, European Union Chamber Orchestra having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rameau: Les Boréades, Act 4: Entrée | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 84 BPM | ||
Keyboard Sonata in E Major, Op. 2, No. 6: II. Presto | John Garth, Gary Cooper, The Avison Ensemble | E♭ Major | 3 | 5B | 149 BPM | ||
Concerto In A Major, Op.12, No.1: 3. Adagio | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | F Minor | 0 | 4A | 174 BPM | ||
Concerto for Recorder and Flute in E Minor, TWV 52:e1: II. Allegro | Georg Philipp Telemann, Dorothee Oberlinger | E♭ Minor | 3 | 2A | 132 BPM | ||
Concerto con Violoncello obligato No. 8 in D Major: I. Allegro | Giovanni Benedetto Platti, Sebastian Hess, Akademie für Alte Musik Berlin, Georg Kallweit | F Major | 5 | 7B | 107 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: III. Presto | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Violin Concerto In B Flat Major, RV 380: I. Andante Molto | L'Arte dell' Arco, Giovanni Guglielmo, Antonio Vivaldi | B♭ Major | 1 | 6B | 129 BPM | ||
Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
The Queen's Dolour, Z. 670 (Arr. for Ensemble by Le Consort) | Henry Purcell, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Ayres for the Violin, books 1 & 4: Grave | Nicola Matteis, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM |