"Inner Song, in Memory of Stefan Wolpe" by Elliott Carter, Ensemble Recherche, JAMES AVERY was released on January 1, 1995. Inner Song, in Memory of Stefan Wolpe is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The song is number 6 out of 11 in For Stefan Wolpe by JAMES AVERY, Ensemble Recherche. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Inner Song, in Memory of Stefan Wolpe is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Inner Song, in Memory of Stefan Wolpe by Elliott Carter, Ensemble Recherche, JAMES AVERY is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petrushka, K12 (1947 Version): IIIa. The Moor's Room – IIIb. Dance of the Ballerina | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Viola Sonata, Op. 147: II. Allegretto | Dmitri Shostakovich, Maxim Rysanov, Marianna Shirinyan | F♯ Major | 1 | 2B | 121 BPM | ||
Approaching the Crazed Myth Hunter | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
24 Preludes for Cello and Piano, Op. 47: Prelude No. 19 (Allegro appassionato) | Lera Auerbach, Camille Thomas, Beatrice Berrut | B♭ Minor | 1 | 3A | 97 BPM | ||
Variations on a Rococo Theme, Op. 33 (Arr. Malzew for Cello, Piano & 4 Saxophones): Var. 5. Allegro moderato | Pyotr Ilyich Tchaikovsky, Alliage Quintett, Alban Gerhardt | A Major | 1 | 11B | 85 BPM | ||
Polifón etüd | György Ligeti, Pierre-Laurent Aimard, Irina Kataeva | E Minor | 0 | 9A | 96 BPM | ||
Black Sorrow | Christian Lindberg, Símon Bolívar Symphony Orchestra | F♯ Minor | 1 | 11A | 65 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: III. Second Decoy Game | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: I | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM |