"Cantique de Jean Racine, Op. 11" by Gabriel Fauré, The Choir Of Trinity College, Cambridge, London Musici, Richard Marlow was released on 1989. With this song being about 5 minutes long, at 4:57, "Cantique de Jean Racine, Op. 11" by Gabriel Fauré, The Choir Of Trinity College, Cambridge, London Musici, Richard Marlow is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 18 in Fauré/Duruflé/Messiaen by The Choir Of Trinity College, Cambridge. Cantique de Jean Racine, Op. 11 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantique de Jean Racine, Op. 11 by Gabriel Fauré, The Choir Of Trinity College, Cambridge, London Musici, Richard Marlow is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Caroline Ashton, Stephen Varcoe, The Cambridge Singers, Simon Standage, John Scott, City of London Sinfonia, John Rutter | E♭ Major | 1 | 5B | 96 BPM | ||
Requiem, Op.48: 7. In Paradisum (Chorus) | Gabriel Fauré, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus London | D Major | 0 | 10B | 63 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Lucy Crowe, Tim Mead, La Nuova Musica, David Bates | E Minor | 0 | 9A | 71 BPM | ||
Retire My Soul | William Byrd, Stile Antico | D Minor | 1 | 7A | 58 BPM | ||
Dido and Aeneas, Z.626 - Arr. for cello and choir: Purcell: When I am laid in earth (Dido and Aeneas, Z.626 - Arr. for cello and choir) | Henry Purcell, Henri Demarquette, Sequenza 9.3, Catherine Simonpietri | C Major | 1 | 8B | 74 BPM | ||
Schubert: Wiegenlied, Op. 98 No. 2, D. 498 | Franz Schubert, Dame Janet Baker, Gerald Moore | F♯ Major | 0 | 2B | 85 BPM | ||
I Know That My Redeemer Liveth | Cecilia McDowall, The Choir of The Queen's College Oxford, Owen Rees | D Major | 1 | 10B | 134 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 148 | Heinrich Schütz, Bremen Weser-Renaissance | C Major | 1 | 8B | 74 BPM | ||
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs | B♭ Major | 1 | 6B | 76 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM |