"Vesperae solennes de confessore in C, K.339: 4. Laudate pueri Dominum" by Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis was released on January 1, 1972. With this song being about 5 minutes long, at 4:43, "Vesperae solennes de confessore in C, K.339: 4. Laudate pueri Dominum" by Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jascha Heifetz, Various Artists, Various Artists, Andrew Davis, Hugh Wolff, John Eliot Gardiner, Kent Nagano, Orchestre de chambre Jean-François Paillard, Ludwig van Beethoven, The Philhadelphia Orchestra, Eugene Istomin, Leonard Rose, Charles Gounod, Barbara Hendricks, Georges Prêtre, Oregon Symphony, James DePreist, Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, John Constable, London Symphony Orchestra, Sir Colin Davis's "Mozart: Exsultate, Jubilate; Vesperae solennes de confessore; Kyrie in D minor; Ave Verum Corpus" album is number 4 out of 9. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Vesperae solennes de confessore in C, K.339: 4. Laudate pueri Dominum's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vesperae solennes de confessore in C, K.339: 4. Laudate pueri Dominum by Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | ||
Vivaldi: Gloria in D Major, RV 589: VII. Dominie Fili Unigenite | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Major | 3 | 12B | 135 BPM | ||
Messa di Gloria, Op.posth., Sanctus & Benedictus: Sanctus Dominus Deus sabaoth | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | G Major | 1 | 9B | 137 BPM | ||
Regina coeli in C, K.108: 4. Alleluja | Wolfgang Amadeus Mozart, Dagmar Schellenberger-Ernst, MDR Leipzig Radio Chorus, MDR-Sinfonieorchester, Herbert Kegel, Michael Christfried Winkler | E♭ Major | 1 | 5B | 126 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Et resurrexit | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 3 | 10B | 121 BPM | ||
War Requiem, Op. 66: ii. Requiem Aeternam - Te decet hymnus | Benjamin Britten, Gianandrea Noseda, Choir of Eltham College, London Symphony Chorus, London Symphony Orchestra | C Major | 0 | 8B | 101 BPM | ||
Missa (solemnis) in C minor, K.139 "Waisenhausmesse": 6. Agnus Dei | Wolfgang Amadeus Mozart, Celestina Casapietra, Annelies Burmeister, Peter Schreier, Hermann Christian Polster, MDR Leipzig Radio Chorus, Walter Heinz Bernstein, MDR-Sinfonieorchester, Herbert Kegel | C Major | 1 | 8B | 64 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | A♭ Major | 1 | 4B | 105 BPM | ||
Requiem In D Minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann): Domine Jesu (Offertorium) - Live | Wolfgang Amadeus Mozart, Marie McLaughlin, Maria Ewing, Jerry Hadley, Cornelius Hauptmann, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus | C Minor | 3 | 5A | 95 BPM |