Johann Strauss I, Academy of St. Martin in the Fields, Sir Neville Marriner made "Radetzky-Marsch, Op. 228" available on August 1, 1988. The duration of Radetzky-Marsch, Op. 228 is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Radetzky-Marsch, Op. 228's duration is considered a little bit shorter than the average duration of a typical track. This song is part of With Love From Vienna by Sir Neville Marriner, Academy of St. Martin in the Fields. The song's track number on the album is #1 out of 9 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Radetzky-Marsch, Op. 228 is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Radetzky-Marsch, Op. 228 by Johann Strauss I, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Radetzky-Marsch, Op. 228 being at 116 テンポ, the half-time would be 58 テンポ with a double-time of 232 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hostblomsten (Harvest Flower), Polka, Op. 208 | Hans Christian Lumbye, Tivoli Symphony Orchestra, Tamas Veto | F Major | 1 | 7B | 75 BPM | ||
Holberg Suite, Op.40: 1. Präludium (Allegro vivace) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 142 BPM | ||
Dance of the Hours | Amilcare Ponchielli, National Philharmonic Orchestra, Bruno Bartoletti | E Major | 0 | 12B | 76 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Contredanses, Op. 44 | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 2 | 12B | 187 BPM | ||
In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM | ||
Turkish March | Arthur Fiedler | B♭ Major | 3 | 6B | 128 BPM | ||
String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto | Luigi Boccherini, György Éder, Danubius Quartet | A Major | 0 | 11B | 126 BPM | ||
Donau Wellen (Wave Of The Danube) | Ion Ivanovici, Andrew Davis | C Major | 1 | 8B | 199 BPM |