"La Damnation de Faust, Op.24 / Part 3: Merci, doux crépuscule!" by Hector Berlioz, Roberto Alagna, Bertrand de Billy, Orchestra of the Royal Opera House, Covent Garden was released on January 1, 2006. With this song being about 5 minutes long, at 5:25, "La Damnation de Faust, Op.24 / Part 3: Merci, doux crépuscule!" by Hector Berlioz, Roberto Alagna, Bertrand de Billy, Orchestra of the Royal Opera House, Covent Garden is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Viva Opéra ! by Roberto Alagna. The song's track number on the album is #8 out of 37 tracks. La Damnation de Faust, Op.24 / Part 3: Merci, doux crépuscule! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La Damnation de Faust, Op.24 / Part 3: Merci, doux crépuscule! by Hector Berlioz, Roberto Alagna, Bertrand de Billy, Orchestra of the Royal Opera House, Covent Garden has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La Damnation de Faust, Op.24 / Part 3: Merci, doux crépuscule! being at 77 テンポ, the half-time would be 38 テンポ with a double-time of 154 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.2: 2. Allegro risoluto | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 3 | 4B | 101 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | A Minor | 2 | 8A | 124 BPM | ||
Le roi s'amuse: Scene du bouquet | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | F♯ Minor | 0 | 11A | 136 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Idil Biret, Philharmonia Orchestra, James Loughran | D Minor | 3 | 7A | 94 BPM | ||
Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM | ||
Symphony No.1 in D minor, Op.13: 2. Allegro animato | Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev | F Major | 0 | 7B | 94 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM |