Jean-Baptiste Singelee, Christian Peters, Yoriko Ikeya's ' "Fantaisie brillante, Op. 86 (Arr. for Saxophone and Piano)" was released on its scheduled release date, January 1, 2004. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Singelée: Virtuoso Concert Pieces". In this album, this song's track order is #13. Fantaisie brillante, Op. 86 (Arr. for Saxophone and Piano) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Fantaisie brillante, Op. 86 (Arr. for Saxophone and Piano) by Jean-Baptiste Singelee, Christian Peters, Yoriko Ikeya having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
Die Jahreszeiten (The Seasons), Hob.XXI:3: Der Winter (Winter): Introduction: Die Einleitung schildert die dicken Nebel | Franz Joseph Haydn, Sibylla Rubens, Andreas Karasiak, Stephan MacLeod, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | F Minor | 0 | 4A | 78 BPM | ||
Silia valssi mollissa for String Orchestra | Wiljami Niittykoski, Ostrobothnian Chamber Orchestra, Kreeta-Maria Kentala | G Minor | 1 | 6A | 146 BPM | ||
Invocation (based on Mozart’s Le nozze di Figaro, K. 492) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | A Minor | 1 | 8A | 174 BPM | ||
Preludes, Op. 28: No. 6 in B Minor, B. 107 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
Adagio for a Musical Clock, WoO 33/1 | Ludwig van Beethoven, Jeremy Polmear, Diana Ambache | F Major | 0 | 7B | 168 BPM | ||
Duo No. 2 for Violin and Viola in D Minor: III. Rondo. Allegro | Carl Stamitz, Gabriela Demeterová | D Major | 1 | 10B | 141 BPM | ||
Quintette avec clarinette in B Minor, Op. 115: IV. Con moto | Johannes Brahms, Florent Héau, Quatuor Voce | G Major | 1 | 9B | 79 BPM | ||
Bassoon Sonata in F Minor, TWV 41:f1 (Arr. D.V. Marx for Bassoon & Guitar): III. Andante | Georg Philipp Telemann, Rainer Seidel, Daniel Valentin Marx | B♭ Major | 0 | 6B | 104 BPM | ||
Concerto in D Major for Trumpet, 2 Horns, Strings and B.C.: II. Allegro Moderato | Leopold Mozart, Andre Schoch, Stuttgart Chamber Orchestra | D Major | 2 | 10B | 100 BPM |