On February 15, 1994, the song "FANFARE (MASTERPIECE THEATRE THEME)" was released by Collegium Aureum. With FANFARE (MASTERPIECE THEATRE THEME) being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 58 in CLASSICAL MUSIC FOR PEOPLE WHO HATE CLASSICAL MUSIC 4-CD SET by Various Artists. The popularity of FANFARE (MASTERPIECE THEATRE THEME) is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of FANFARE (MASTERPIECE THEATRE THEME) by Collegium Aureum is Vivace (lively and fast), since this song has a tempo of 171 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons, Violin Concerto No. 1 in E Major, RV 269 "Spring": III. III. Allegro - Danza pastorale | Antonio Vivaldi, Virtuosi Di Praga, Pavel Kogan, Václav Hudeček | F Minor | 1 | 4A | 71 BPM | ||
Concerto à cinque in B Major: II. Adagio | I Solisti di Zagreb | G Major | 1 | 9B | 166 BPM | ||
Direzioni Contrarie | Alessandro Gozzo, Cats Rule the World | F Minor | 1 | 4A | 74 BPM | ||
Magnificat in D Major, Wq 215/H.772: VIII. Gloria Patri | Carl Philipp Emanuel Bach, Collegium Aureum, Franzjosef Maier | G Major | 4 | 9B | 100 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata VI. "Consummatum est" | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM | ||
Cavatina da capo: Se d'un Dio fui fatta Madre | Giovanni Battista Ferrandini, Il Giardino Armonico, Giovanni Antonini, Bernarda Fink | B Minor | 1 | 10A | 69 BPM | ||
King Arthur, Z. 628, Act I: No. 1, Overture | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F Major | 0 | 7B | 112 BPM | ||
Proserpine: Overture in D Major: III. Allegro | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 5 | 10B | 99 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Grande Messe des Morts: Introduzione: Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 64 BPM |