"Missa Divi Xaverii, ZWV 12: Domine Deus II" by Jan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks was released on March 25, 2016. The duration of Missa Divi Xaverii, ZWV 12: Domine Deus II is about 3 minutes long, at 3:29. Based on our data, "Missa Divi Xaverii, ZWV 12: Domine Deus II" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Zelenka: Missa Divi Xaverii, ZWV 12 & Litaniae de Sancto Xaverio, ZWV 156 by Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks. The song's track number on the album is #6 out of 32 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Missa Divi Xaverii, ZWV 12: Domine Deus II is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Missa Divi Xaverii, ZWV 12: Domine Deus II by Jan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Missa Divi Xaverii, ZWV 12: Domine Deus II being at 100 テンポ, the half-time would be 50 テンポ with a double-time of 200 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Vivace (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 122 BPM | ||
Magnificat, Wq.215: I. 01 Tutti »Magnificat anima mea Dominum« | Michael Alexander Willens, Kölner Akademie, Hanna Herfurtner, Elvira Bill, Georg Poplutz, Matthias Vieweg, Kolner Akademie Choir | F♯ Major | 1 | 2B | 172 BPM | ||
Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 154 BPM | ||
Première Lamentation du Mercredi saint: I. Incipit lamentatio Jeremiae prophetae | Joseph-Hector Fiocco, Ana Vieira Leite, Diana Vinagre, Ensemble Bonne Corde | E Major | 1 | 12B | 99 BPM | ||
Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Aria | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Carlos Mena, Stephan MacLeod | F Minor | 1 | 4A | 82 BPM | ||
The Indian Queen: I attempt from love's sickness | Henry Purcell, Alfred Deller, William Christie, Wieland Kuijken | D Major | 1 | 10B | 72 BPM | ||
Uns ist ein Kind geboren: I. Sonata | Johann Kuhnau, Camerata Lipsiensis, Gregor Meyer | A♭ Minor | 1 | 1A | 103 BPM | ||
6 Sonatas, ZWV 81, No. 4 in G Minor: II. Allegro | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin, Heinrich Braun | G Minor | 3 | 6A | 123 BPM | ||
The Fairy Queen, Z. 629, Act I: Rondeau | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | A Major | 1 | 11B | 154 BPM |