Dr. Dipali Bhatt, Sachin Limaye, Foram Maheta's ' "Nana Sarkha Shreenathji" was released on its scheduled release date, June 6, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Nana Sharkha Shreenathji". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Nana Sarkha Shreenathji is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Nana Sarkha Shreenathji by Dr. Dipali Bhatt, Sachin Limaye, Foram Maheta having a テンポ of 104 with a half-time of 52 テンポ and a double-time of 208 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debango Khiloyno Be Laatu | Anuradha Nirala, Narendra Singh Negi, Meena Rana | E♭ Minor | 4 | 2A | 164 BPM | ||
Radha Sarveshwari | Indresh Upadhyay | F♯ Major | 6 | 2B | 144 BPM | ||
Giriraj Dharyashtakam | Dr. Dipali Bhatt, Foram Maheta | E♭ Major | 1 | 5B | 121 BPM | ||
Aamawa Ke Dalli Pe | Arvind Singh Abhiyanta, Kamalvas Kuwar | A♭ Major | 8 | 4B | 127 BPM | ||
Sachidananday Rupay | Ravindra Jain | F Major | 6 | 7B | 108 BPM | ||
Fagan Foramto Aayo | Foram Maheta | E♭ Major | 8 | 5B | 103 BPM | ||
Jaha Le Chaloge Wahi Me Chalunga | Pujya Prembhushanji Maharaj | E Minor | 4 | 9A | 131 BPM | ||
Venu Vagadto | Dipali Bhatt, Foram Mehta, Ninad Mehta, Sachin Limaye | F♯ Minor | 2 | 11A | 77 BPM | ||
Madhuban Ke Mandiron Mein | Rajendra Jain, Jaya Sinha | G Major | 7 | 9B | 78 BPM | ||
Dwadasa Jyotri Linga Stotram | T. S. Ranganathan | B♭ Major | 4 | 6B | 149 BPM |