Alexander Glazunov, Fritz Kreisler, Michael Raucheisen made "2 Morceaux, Op. 20: No. 2, Serenade espagnole (Arr. F. Kreisler for Violin & Piano)" available on November 11, 1988. The duration of 2 Morceaux, Op. 20: No. 2, Serenade espagnole (Arr. F. Kreisler for Violin & Piano) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. 2 Morceaux, Op. 20: No. 2, Serenade espagnole (Arr. F. Kreisler for Violin & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Fritz Kreisler's "J.S. Bach, Beethoven, Kreisler & Others: Works" album is number 10 out of 38. Based on our statistics, 2 Morceaux, Op. 20: No. 2, Serenade espagnole (Arr. F. Kreisler for Violin & Piano)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 2 Morceaux, Op. 20: No. 2, Serenade espagnole (Arr. F. Kreisler for Violin & Piano) by Alexander Glazunov, Fritz Kreisler, Michael Raucheisen to be Allegro (fast, quick, and bright) because the track has a tempo of 139 テンポ, a half-time of 70テンポ, and a double-time of 278 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
Raymonda, Op. 57: Act I - Pizzicato | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Major | 0 | 10B | 104 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM |