On July 29, 2008, the song "Brahms: F.A.E. Sonata: Scherzo" was released by Johannes Brahms, Yuri Bashmet, Mikhail Muntian. Brahms: F.A.E. Sonata: Scherzo is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. There are a total of 20 in the song's album "Reminiscences". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Brahms: F.A.E. Sonata: Scherzo's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Brahms: F.A.E. Sonata: Scherzo by Johannes Brahms, Yuri Bashmet, Mikhail Muntian having a テンポ of 141 with a half-time of 70 テンポ and a double-time of 282 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 9 in E Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | B Minor | 1 | 10A | 106 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Canzona Serenata, Op. 38 No. 6 | Nikolai Medtner, Dmitry Shishkin | F Minor | 0 | 4A | 172 BPM | ||
Songs without Words for Piano, Book 2, op.30: No.6: Venetian Gondolera Song ("Venezianisches Gondellied") | Peter Schmalfuss | C Major | 1 | 8B | 89 BPM | ||
Tre giorni son che Nina (Arr. for Cello & Piano) | Giovanni Battista Pergolesi, Christine Walevska, Akimi Fukuhara | G Minor | 1 | 6A | 78 BPM | ||
Liebeslied (Widmung), S. 566 | Franz Liszt, YUNDI | A♭ Major | 0 | 4B | 73 BPM | ||
Piano Quintet in G Minor, Op. 57: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | C Minor | 3 | 5A | 130 BPM | ||
Sonata in G Minor: III. Adagio | Henry Eccles, Amit Peled, Eliza Ching | G Minor | 0 | 6A | 84 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM |