Le nozze di Figaro, K. 492, Act II: Porgi amor - Remastered 2024

Wolfgang Amadeus Mozart, Maria Reining, Wiener Philharmoniker, Josef Krips
Mozart: Die Entführung aus dem Serail; Turkish March; Opera Arias (Remastered 2024)
3:38 2024年4月26日
テンポ
79
キー
E♭ Major
キャメロットミュージックキー
5B

リンクを埋め込む

共有

Le nozze di Figaro, K. 492, Act II: Porgi amor - Remastered 2024 - Wolfgang Amadeus Mozart, Maria Reining, Wiener Philharmoniker, Josef Krips 情報

音響性
99%
ダンサビリティ
19%
エネルギー
4%
手段性
1%
活気
10%
ラウドネス
63%
話し言葉
4%
価数
12%
人気
ラウドネス
-22.168 dB

まとめ

"Le nozze di Figaro, K. 492, Act II: Porgi amor - Remastered 2024" by Wolfgang Amadeus Mozart, Maria Reining, Wiener Philharmoniker, Josef Krips was released on April 26, 2024. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Wiener Philharmoniker, Josef Krips's "Mozart: Die Entführung aus dem Serail; Turkish March; Opera Arias (Remastered 2024)" album is number 24 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Le nozze di Figaro, K. 492, Act II: Porgi amor - Remastered 2024 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Le nozze di Figaro, K. 492, Act II: Porgi amor - Remastered 2024 テンポ

We consider the tempo marking of Le nozze di Figaro, K. 492, Act II: Porgi amor - Remastered 2024 by Wolfgang Amadeus Mozart, Maria Reining, Wiener Philharmoniker, Josef Krips to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Le nozze di Figaro, K. 492, Act II: Porgi amor - Remastered 2024 キー

The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Waltz No. 10 in B Minor, Op. 69, No. 2 by Frédéric Chopin, Idil BiretWaltz No. 10 in B Minor, Op. 69, No. 2Frédéric Chopin, Idil BiretB Minor010A155 BPM
Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. Andante by George Frideric Handel, English Baroque Soloists, John Eliot GardinerHandel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. AndanteGeorge Frideric Handel, English Baroque Soloists, John Eliot GardinerD Major210B125 BPM
The Hebrides, Op. 26 The Hebrides, Op. 26 "Fingal's Cave"Felix Mendelssohn, John Eliot Gardiner, London Symphony OrchestraD Major110B137 BPM
Keyboard Sonatina in C Major, Op. 36, No. 1: I. Allegro by Muzio Clementi, Chun-Young JuneKeyboard Sonatina in C Major, Op. 36, No. 1: I. AllegroMuzio Clementi, Chun-Young JuneG Major29B100 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
Minuet in A major, D. 334 by Franz Schubert, Arcadi VolodosMinuet in A major, D. 334Franz Schubert, Arcadi VolodosA Major011B92 BPM
Oboe Quartet in F Major, K. 370: II. Adagio by Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine BlaumaneOboe Quartet in F Major, K. 370: II. AdagioWolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine BlaumaneD Minor07A84 BPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] by Franz Liszt, Oxana YablonskayaSchwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]Franz Liszt, Oxana YablonskayaD Major010B66 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne by Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerPelléas et Mélisande, Op.80: 3. SicilienneGabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor06A111 BPM
Nocturne No. 1 in E Flat Major, H.24 by John Field, Elizabeth Joy RoeNocturne No. 1 in E Flat Major, H.24John Field, Elizabeth Joy RoeE♭ Major05B75 BPM
ISRC
GBF075010720
レコードレーベル
L-M Records/RCA Records