Holmes & Watson made "Holmes & Watson Mysterys Folge 15 - Die Todesstunde - Teil 17" available on August 27, 2021. With Holmes & Watson Mysterys Folge 15 - Die Todesstunde - Teil 17 being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Holmes & Watson's "Holmes & Watson Mysterys Folge 15 - Die Todesstunde" album is number 17 out of 17. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Holmes & Watson Mysterys Folge 15 - Die Todesstunde - Teil 17 is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Holmes & Watson Mysterys Folge 15 - Die Todesstunde - Teil 17 by Holmes & Watson to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holmes & Watson Classics Folge 04 - Die Liga der Rothaarigen - Teil 22 | Holmes & Watson | A Minor | 5 | 8A | 83 BPM | ||
Serenade in G Major, K. 525, "Eine Kleine Nachtmusik": II. Romanze: Andante | Bellybuds | C Major | 0 | 8B | 118 BPM | ||
Elias, Op. 70: Teil I: Rufet lauter! (Rec. II) | Felix Mendelssohn, Thomas Hengelbrock | A♭ Minor | 4 | 1A | 131 BPM | ||
Concerto grosso in B flat, Op. 3, No. 2: 2. Largo | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
交響曲 第40番 K.550~第4楽章 | リボル・ペシェック, Czech National Symphony Orchestra | G Minor | 3 | 6A | 133 BPM | ||
Piano Sonata in C Major, D. 613 (Completed by G. Bruno): I. Moderato | Franz Schubert, Giuseppe Bruno | C Major | 0 | 8B | 171 BPM | ||
La tempesta di mare en fa majeur, RV 433: I. Allegro | Jean-Louis Beaumadier, Antonio Vivaldi, Christophe Poiget, Ensemble Instrumental La Follia | C Major | 4 | 8B | 123 BPM | ||
Thétis et Pelée: Ouverture | Jean-Benjamin de La Borde, Reinoud Van Mechelen, A Nocte Temporis | E Major | 2 | 12B | 134 BPM | ||
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | ||
A:2 Pop Corn (No. 18 from Confections: A Piano Sweet) | Akira Yuyama, Dinara Klinton | B Minor | 0 | 10A | 108 BPM |