"Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 8 in A Flat Major: Sousedská (Grazioso e lento...), Op.72" by Berliner Philharmoniker, Lorin Maazel was released on November 12, 2007. Since Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 8 in A Flat Major: Sousedská (Grazioso e lento...), Op.72 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 54 in the song's album "The Berlin Philharmonic on EMI". In this album, this song's track order is #39. Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 8 in A Flat Major: Sousedská (Grazioso e lento...), Op.72 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Slavonic Dances, B.83: (Op.46 - Nos. 1-8); B.147 (Op.72 - Nos. 1-8): No. 8 in A Flat Major: Sousedská (Grazioso e lento...), Op.72 by Berliner Philharmoniker, Lorin Maazel having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eljen a Magyar, Op.332 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | E Minor | 2 | 9A | 142 BPM | ||
Nocturne No.2 in E flat major, Op.9 No.2 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 0 | 6B | 129 BPM | ||
Dvořák: The Water Goblin, Op. 107, B. 195: I. Allegro vivo | Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 0 | 9A | 141 BPM | ||
Tannhauser: Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 0 | 1B | 98 BPM | ||
Eine Alpensinfonie, Op.64, TrV 233: 9. Auf der Alm | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 80 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non molto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | G Minor | 2 | 6A | 136 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Cello Concerto In B Minor, Op.104, B. 191: 3. Finale (Allegro moderato) | Antonín Dvořák, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 84 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM |