"Glassworks - Arr. for piano and cello by Bruno Fontaine: 1. Opening" by Philip Glass, Henri Demarquette, Vanessa Benelli Mosell was released on December 15, 2017. Glassworks - Arr. for piano and cello by Bruno Fontaine: 1. Opening is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. Because this song is the only song in Glass, Glassworks - Arr. for piano and cello: 1. Opening and no other songs are present in the album, we classify this track as a single. On top of that, France appears to be the country where this track was created. The popularity of Glassworks - Arr. for piano and cello by Bruno Fontaine: 1. Opening is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Glassworks - Arr. for piano and cello by Bruno Fontaine: 1. Opening by Philip Glass, Henri Demarquette, Vanessa Benelli Mosell to be Vivace (lively and fast) because the track has a tempo of 172 テンポ, a half-time of 86テンポ, and a double-time of 344 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glassworks: I. Opening | Signal, Michael Riesman | E♭ Major | 0 | 5B | 138 BPM | ||
Les berceaux, Op. 23 No. 1 | Gabriel Fauré, Christian-Pierre La Marca | C Minor | 0 | 5A | 65 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Lamento (After "When I Am Laid in Earth" from Dido and Aeneas, Z. 626) | Henry Purcell, Martin Stadtfeld | G Minor | 0 | 6A | 67 BPM | ||
The Turning Year | Roger Eno, Scoring Berlin | C Major | 0 | 8B | 72 BPM | ||
Mute #2 | Poltrock | E Minor | 1 | 9A | 122 BPM | ||
Moon Square | Arnold Kasar | C Minor | 1 | 5A | 88 BPM | ||
Wiegenlied, S. 198 | Franz Liszt, Khatia Buniatishvili | A Minor | 0 | 8A | 67 BPM | ||
Reflection #2 | Joep Beving | G Minor | 0 | 6A | 127 BPM |