"Die lustigen Weiber von Windsor: Akt II: Finale: "Wer klopft?"" by Otto Nicolai, Staatskapelle Berlin, Chor Der Staatsoper Berlin, Bernhard Klee was released on January 1, 1978. Die lustigen Weiber von Windsor: Akt II: Finale: "Wer klopft?" is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. There are a total of 33 in the song's album "Nicolai: Die lustigen Weiber von Windsor". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. In terms of popularity, Die lustigen Weiber von Windsor: Akt II: Finale: "Wer klopft?" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die lustigen Weiber von Windsor: Akt II: Finale: "Wer klopft?" by Otto Nicolai, Staatskapelle Berlin, Chor Der Staatsoper Berlin, Bernhard Klee having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die Entführung aus dem Serail, K. 384, Act I: Wer ein Liebchen hat gefunden - Verwünscht seist du samt deinem Liede! - Remastered 2024 | Wolfgang Amadeus Mozart, Endre Koreh, Walther Ludwig, Peter Klein, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Spontini: Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich) | Gaspare Spontini, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Mass No. 1 in D Major: VI. Agnus Dei | Otto Nicolai, Sarah Schnier, Alexandra Thomas, Wolfgang Klose, Lucas Singer, Folkwang Kammerorchester Essen, Kammerchor CONSONO, Harald Jers | D Major | 2 | 10B | 83 BPM | ||
Rossini: Petite messe solennelle: II. Gloria, 7. Cum Sancto Spiritu (Chorus). Allegro | Gioachino Rossini, Antonio Pappano | G Minor | 0 | 6A | 112 BPM | ||
Die lustigen Weiber von Windsor / Act 2: In einen Wäschkorb? | Otto Nicolai, Wolfgang Brendel, Karl Ridderbusch, Bavarian Radio Symphony Orchestra, Rafael Kubelík | F Major | 2 | 7B | 75 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: La femme dont le coeur (Eurydice) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 106 BPM | ||
Symphony No.1 in C Minor, Op.68: Un poco Allegretto | Hamburg Symphony Orchestra | C Major | 2 | 8B | 91 BPM | ||
Gounod: Roméo et Juliette: Ouverture (Allegro maestoso) | Charles Gounod, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Minor | 3 | 7A | 123 BPM | ||
Platée, Acte 1 Scène 3: Annonce du chœur et Air "Que vos voix m'applaudissent" (Platée, le Chœur) | Jean-Philippe Rameau, Les Arts Florissants, William Christie, Marcel Beekman, Arnold Schoenberg Chor | E♭ Major | 4 | 5B | 130 BPM | ||
Iolanthe: Go Away Madam | Elizabeth Woollett, Jill Pert, Richard Suart, New D'Oyly Carte Opera | E♭ Major | 2 | 5B | 52 BPM |