"Huit Chansons de Fleurs: No. 4, One Perfect Rose" by Ricky Ian Gordon, Erin Morley, Gerald Martin Moore was released on April 19, 2024. With Huit Chansons de Fleurs: No. 4, One Perfect Rose being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Rose in Bloom". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Huit Chansons de Fleurs: No. 4, One Perfect Rose is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Huit Chansons de Fleurs: No. 4, One Perfect Rose by Ricky Ian Gordon, Erin Morley, Gerald Martin Moore having a テンポ of 113 with a half-time of 56 テンポ and a double-time of 226 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
H.M.S. Pinafore, Act I: Sorry Her Lot | Gilbert & Sullivan Society of Houston | F Major | 1 | 7B | 173 BPM | ||
Huit Chansons de Fleurs: No. 5, Peonies at Dusk | Ricky Ian Gordon, Erin Morley, Gerald Martin Moore | G Major | 0 | 9B | 75 BPM | ||
Why am I a girl? | Ricky Ian Gordon, Frank Bidart, Nathan Gunn, Jennifer Zetlan, Lidiya Yankovskaya | B♭ Major | 2 | 6B | 165 BPM | ||
The Mikado: So Please You Sir | Lesley Garrett, Mark Richardson, Richard van Allan, Susan Bullock | E♭ Major | 2 | 5B | 109 BPM | ||
12 Romances, Op. 14: No. 11, Spring Waters | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | ||
Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
Tchut, Tchut, Serie 4, No. 4 | Joseph Canteloube, Patricia Rozario, Sir John Pritchard, Philharmonia Orchestra | A Major | 1 | 11B | 115 BPM | ||
Aesop's Fables: No. 1. The Hare and the Tortoise | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | G Major | 1 | 9B | 70 BPM | ||
Gypsy Songs, Op. 55: No. 4, Když Mne Stará Matka Zpívat | Charlotte Hoather | D Major | 1 | 10B | 67 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM |