"A Boy Was Born, Op. 3: Theme: A Boy Was Born" by Benjamin Britten, Elora Festival Singers, Noel Edison was released on November 4, 2014. The duration of A Boy Was Born, Op. 3: Theme: A Boy Was Born is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. A Boy Was Born, Op. 3: Theme: A Boy Was Born's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Wonder of Christmas". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. A Boy Was Born, Op. 3: Theme: A Boy Was Born is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Boy Was Born, Op. 3: Theme: A Boy Was Born by Benjamin Britten, Elora Festival Singers, Noel Edison having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Heavenly Romanticism | Béla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F Major | 0 | 7B | 96 BPM | ||
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 2 | 10B | 105 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Chicken's Legs | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | G Major | 2 | 9B | 166 BPM | ||
Ma mère l'oye, ballet, M. 62: 3. Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | G Minor | 0 | 6A | 89 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op.60: 2. Romance | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 109 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM |