"Electra: III. Lento - Sostenuto e agitato - Largamente" by Alphons Diepenbrock, Bamberg Symphony, Antony Hermus was released on June 20, 2016. With this song being about 5 minutes long, at 4:31, "Electra: III. Lento - Sostenuto e agitato - Largamente" by Alphons Diepenbrock, Bamberg Symphony, Antony Hermus is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 10 in Diepenbrock: Symphonic Poems by Alphons Diepenbrock, Bamberg Symphony, Antony Hermus. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Electra: III. Lento - Sostenuto e agitato - Largamente is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Electra: III. Lento - Sostenuto e agitato - Largamente by Alphons Diepenbrock, Bamberg Symphony, Antony Hermus is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra | D Major | 1 | 10B | 99 BPM | ||
Delius: Appalachia: Variation XIII. L'istesso tempo | Frederick Delius, Sir John Barbirolli, Ambrosian Singers, Hallé | C Major | 1 | 8B | 86 BPM | ||
Madrigal Madrigal | Fanny Hearst | E Minor | 2 | 9A | 107 BPM | ||
Songs of the Half-Light, Op. 65: No. 2, Full Moon | Lennox Berkeley, Robin Tritschler, Malcolm Martineau | B Minor | 0 | 10A | 88 BPM | ||
Ein deutsches Requiem, Op. 45: Wie lieblich sind dein Wohnungen - Arr. for Voices and 2 Pianos | Johannes Brahms, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | E♭ Major | 1 | 5B | 80 BPM | ||
Seven Sonnets of Michelangelo, Op 22: No. 1, Sonnet XVI | Benjamin Britten, Robin Tritschler, Malcolm Martineau | E Minor | 1 | 9A | 118 BPM | ||
Small Sky (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Hymne an die Nacht No. 2, "Muß immer der Morgen wiederkommen?": III. Sie wissen nicht, daß du es bist | Alphons Diepenbrock, Hans Vonk, Hague Residentie Orchestra, Linda Finnie | E Major | 1 | 12B | 128 BPM | ||
Evening Songs, Op. 3: No. 3, Já jsem ten rytíř | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Minor | 1 | 4A | 83 BPM | ||
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM |