"Act Ii This Is Not The Promised Land" by Joan Morris, Gloria Hodes, Orch., Keith Curran, Walter Hudson, Michael Barrett was released on April 20, 1991. The duration of Act Ii This Is Not The Promised Land is about 3 minutes long, at 3:10. Based on our data, "Act Ii This Is Not The Promised Land" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 24 in American Music Theater Festival presents Casino Paradise by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Act Ii This Is Not The Promised Land is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Act Ii This Is Not The Promised Land by Joan Morris, Gloria Hodes, Orch., Keith Curran, Walter Hudson, Michael Barrett is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen | Gilbert & Sullivan Society of Houston | E Minor | 2 | 9A | 102 BPM | ||
Shine | Rachel Bay Jones, Jeremy Shamos, Bobby Cannavale, Amber Gray, Micaela Diamond | C Major | 3 | 8B | 146 BPM | ||
Sweet Chance That Led My Steps Abroad | Charlotte Hoather, George Todica | F Major | 2 | 7B | 135 BPM | ||
In Sherwood | Frederic Curzon | G Major | 1 | 9B | 85 BPM | ||
My Gal Sal | Joan Morris, William Bolcom | C Major | 0 | 8B | 95 BPM | ||
Asleep In The Deep | Joan Morris, William Bolcom | E♭ Major | 0 | 5B | 83 BPM | ||
Plank Round | Linda Eder, Daniel Narducci, Alaxander Frey | F Minor | 5 | 4A | 114 BPM | ||
Liebestod | Richard Wagner, Kirsten Flagstad | D♭ Minor | 1 | 12A | 110 BPM | ||
The Mikado: As someday it may happen that a victim... | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 2 | 5B | 148 BPM | ||
Can't You Heah Me Callin', Caroline? | Joan Morris, William Bolcom | F♯ Major | 0 | 2B | 88 BPM |