Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth made "Hérold & Lanchbery: La fille mal gardée, Act 1: No. 4a, Solo de Colas" available on January 1, 1983. With Hérold & Lanchbery: La fille mal gardée, Act 1: No. 4a, Solo de Colas being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in John Lanchbery, Ferdinand Hérold, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth's "Hérold, Lanchbery: La fille mal gardée" album is number 4 out of 23. Based on our statistics, Hérold & Lanchbery: La fille mal gardée, Act 1: No. 4a, Solo de Colas's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Hérold & Lanchbery: La fille mal gardée, Act 1: No. 4a, Solo de Colas by Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Running Set | Ralph Vaughan Williams, Royal Liverpool Philharmonic Orchestra, James Judd | E Minor | 2 | 9A | 78 BPM | ||
La Bayadere, Act II: 33. "Wedding Variation - Gamzatti" | Evergreen Symphony Orchestra, Kevin Galiè | A♭ Major | 1 | 4B | 78 BPM | ||
The Rite of Spring, Part 1: I. Adoration of the Earth | Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D Major | 0 | 10B | 79 BPM | ||
Il Lado Dei Cigni, Suite dal Balletto Op.20 | Armonie Symphony Orchestra | D Major | 2 | 10B | 164 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 149 BPM | ||
Tavener: Requiem: IV. Kali's Dance | John Tavener, Vasily Petrenko, Josephine Knight, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra | F Major | 1 | 7B | 86 BPM | ||
Holst: The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | F Minor | 3 | 4A | 78 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Act I: The Dance Of Espada & Toreros With Cloaks (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 180 BPM | ||
The Rite of Spring, Part 2: V. Ritual Dance of the Ancestors | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | C Minor | 0 | 5A | 116 BPM |