"Albeniz: Iberia, Cuarto Cuaderno: II. Jerez" by Alicia de Larrocha was released on August 22, 1992. Since Albeniz: Iberia, Cuarto Cuaderno: II. Jerez is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Alicia de Larrocha's "Iberia/Navarra/Suite Espanola Etc." album is number 2 out of 22. Albeniz: Iberia, Cuarto Cuaderno: II. Jerez is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Albeniz: Iberia, Cuarto Cuaderno: II. Jerez by Alicia de Larrocha to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Sonatina in G Major: II. Allegro | Edward Elgar, Ashley Wass | G Major | 0 | 9B | 70 BPM | ||
6 Piano Variations in F Major, Op. 34: Variation IV. Tempo di menuetto in E Major | Ludwig van Beethoven, Mikhail Pletnev | B♭ Major | 1 | 6B | 101 BPM | ||
Carnaval, Op. 9: 16. Valse allemande - Intermezzo: Paganini | Robert Schumann, Alicia de Larrocha | A♭ Major | 0 | 4B | 78 BPM | ||
Cuatro piezas españolas: II. Cubana | Manuel de Falla, Alicia de Larrocha | G Major | 2 | 9B | 133 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Pièce pour le Vêtement du blessé "Page d'album", CD 141 | Claude Debussy, Steven Osborne | A♭ Major | 0 | 4B | 69 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Rinaldo, HWV 7, Act II: Lascia ch'io pianga (arr. M. Moszkowsky for piano) | George Frideric Handel, Moritz Moszkowski, Roberto Cominati | D Major | 0 | 10B | 70 BPM |