"Jerusalem" by Hubert Parry, Salisbury Cathedral Choir, Simon Lole was released on June 5, 2012. The duration of Jerusalem is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Jerusalem's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Salisbury Cathedral Choir, Simon Lole's "Hymns From England" album is number 1 out of 23. The popularity of Jerusalem is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jerusalem by Hubert Parry, Salisbury Cathedral Choir, Simon Lole to be Vivace (lively and fast) because the track has a tempo of 175 テンポ, a half-time of 88テンポ, and a double-time of 350 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 1 | 4B | 91 BPM | ||
The Procession Of The Bride (The Introit) - I Was Glad | Hubert Parry, The Choir Of Westminster Abbey, James O'Donnell, The Choir of Her Majesty's Chapel Royal, St James's Palace, Doctor Andrew Grant, London Chamber Orchestra, Christopher Warren-Green, Fanfare Team from the Central Band of the Royal Air Force | B♭ Major | 3 | 6B | 95 BPM | ||
Concert Suite from "Henry V": Touch her soft lips, and part | William Walton, Bournemouth Symphony Orchestra, Andrew Litton | E Minor | 0 | 9A | 71 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Four Scottish Dances, Op. 59 - Produced | Malcolm Arnold, London Philharmonic Orchestra | F Major | 1 | 7B | 116 BPM | ||
Threefold Amen | Orlando Gibbons, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 67 BPM | ||
Music For a Solemn Occasion: Funeral March No. 2 | The Band of the Corps of Royal Engineers | B♭ Minor | 2 | 3A | 75 BPM | ||
Water Music Suite No. 2 in D, HWV 349: 2. Alla Hornpipe | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 112 BPM | ||
MacCunn: The Land of the Mountain and the Flood, Concert Overture in B Minor, Op. 3: (Allegro con moto - Poco meno Allegro più animando - Con brio) | Hamish MacCunn, Scottish National Orchestra/Sir Alexander Gibson | B Major | 1 | 1B | 103 BPM | ||
Weep, O mine eyes | John Bennet, The King's Singers | A♭ Minor | 0 | 1A | 127 BPM |