"Turangalîla-Symphony: X. Final. Modéré, presque vif, avec une grande joie" by Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget had its release date on February 2, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget's "Messiaen: Turangalîla-Symphony" album is number 10 out of 10. On top of that, France appears to be the country where this track was created. Turangalîla-Symphony: X. Final. Modéré, presque vif, avec une grande joie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalîla-Symphony: X. Final. Modéré, presque vif, avec une grande joie by Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in G Minor, Op. 10, L. 85: 1. Animé et très décidé | Claude Debussy, Melos Quartet | B♭ Major | 1 | 6B | 131 BPM | ||
Four Fairy Tales (Skazki), Op.26: No.3 In F Minor | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
Les heures persanes, Op. 65: No. 1. Sieste, avant le depart: Lent | Charles Koechlin, Ralph van Raat | B Major | 0 | 1B | 66 BPM | ||
Sea Murmurs (After. M. Castelnuovo-Tedesco) [Take 2] | Jascha Heifetz, Mario Castelnuovo-Tedesco, Unknown Artist | D♭ Major | 1 | 3B | 131 BPM | ||
Schoenberg / Arr Busoni: 3 Piano Pieces, Op. 11: No. 2 Mässig - Concert version | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 0 | 6B | 97 BPM | ||
II. Mesto, rigido e cerimoniale | György Ligeti, Claudia Janet Birkholz | D♭ Major | 0 | 3B | 135 BPM | ||
Poèmes pour Mi, Deuxième Livre: No. 2, Ta voix | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | A Major | 2 | 11B | 80 BPM | ||
Quatuor pour la fin du temps: 2. Vocalise, pour l'Ange qui annonce la fin du temps | Olivier Messiaen, Luben Yordanoff, Albert Tétard, Claude Desurmont, Daniel Barenboim | G Major | 1 | 9B | 97 BPM | ||
Le banquet céleste | Olivier Messiaen, Olivier Latry | F♯ Major | 0 | 2B | 94 BPM | ||
Must the Devil Have All the Good Tunes?: II. Much Slower; Gently, Relaxed | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 1 | 7B | 60 BPM |