Marin Marais, Gerald Stempfel, Thorsten Bleich made "Pièces de violes, Livre IV: Gavotte II" available on February 26, 2016. With Pièces de violes, Livre IV: Gavotte II being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Marin Marais, Gerald Stempfel, Thorsten Bleich's "Improvisations sur les suites de Marin Marais (Improvisations after Marin Marais' Pièces de viole)" album is number 4 out of 24. Pièces de violes, Livre IV: Gavotte II is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Pièces de violes, Livre IV: Gavotte II by Marin Marais, Gerald Stempfel, Thorsten Bleich to be Grave (very slow) because the track has a tempo of 42 テンポ, a half-time of 21テンポ, and a double-time of 84 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
The First Part of Ayres, French, Pollish and Others: No. 72. A Meditation | Tobias Hume, Philippe Pierlot | B Major | 0 | 1B | 143 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Alcione - 1Ère Suite - Airs Pour Les Driades Et Les Bergers - 2Ème Menuet Pour Les Mêmes | Jordi Savall, Marin Marais | D Minor | 2 | 7A | 118 BPM | ||
Alcione - 4Ème Suite - Airs Pour Les Matelots Et Les Tritons - Marche Pour Les Matelots | Jordi Savall, Marin Marais | G Major | 1 | 9B | 126 BPM | ||
Dernière courente de Gautier | Denis Gaultier, Bernhard Hofstötter | D♭ Minor | 1 | 12A | 148 BPM | ||
Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | ||
Suite in d minor - Allemande la Loureuse | Hanneke van Proosdij | C Major | 1 | 8B | 105 BPM | ||
Lachrimæ Antiquæ | John Dowland, Les Voix Humaines, Nigel North | G Minor | 1 | 6A | 92 BPM | ||
Alcione, Acte II Scène 3: "Qu’entends-je ! Quel funeste oracle!" - Deuxième Air des Magiciens | Marin Marais, Jordi Savall, Lisandro Abadie, Cyril Auvity, Le Concert Des Nations | D♭ Major | 2 | 3B | 105 BPM |