"Massenet: Année passée, Livre III "Soirs d'hiver": III. On valsait. Mouvement de valse" by Jules Massenet, Aldo Ciccolini was released on January 1, 1980. The duration of Massenet: Année passée, Livre III "Soirs d'hiver": III. On valsait. Mouvement de valse is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Massenet: Année passée, Livre III "Soirs d'hiver": III. On valsait. Mouvement de valse's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jules Massenet, Aldo Ciccolini, Orchestre National de l'Opéra de Monte-Carlo, Sylvain Cambreling's "Massenet: L'œuvre de piano" album is number 38 out of 56. On top of that, France appears to be the country where this track was created. In terms of popularity, Massenet: Année passée, Livre III "Soirs d'hiver": III. On valsait. Mouvement de valse is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Massenet: Année passée, Livre III "Soirs d'hiver": III. On valsait. Mouvement de valse by Jules Massenet, Aldo Ciccolini to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Massenet: Don Quichotte, Act 1: "Ah ! C'est vous qui lanciez" (Dulcinée, Don Quichotte, Juan) | Jules Massenet, Teresa Berganza, José van Dam, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | ||
Thaïs / Acte Deux: Meditation | Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 95 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Thaïs: Méditation | Herbert von Karajan, Anne-Sophie Mutter, Berliner Philharmoniker | E Minor | 1 | 9A | 99 BPM |