"Everyone's Gone to the Moon (Arr. for Cello & Piano by Jâms Coleman)" by Nina Simone, Jonathan King, Laura van der Heijden, Jâms Coleman was released on February 9, 2024. The duration of Everyone's Gone to the Moon (Arr. for Cello & Piano by Jâms Coleman) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Everyone's Gone to the Moon (Arr. for Cello & Piano by Jâms Coleman)'s duration is considered a little bit shorter than the average duration of a typical track. Since Simone: Everyone's Gone to the Moon only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Everyone's Gone to the Moon (Arr. for Cello & Piano by Jâms Coleman) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Everyone's Gone to the Moon (Arr. for Cello & Piano by Jâms Coleman) by Nina Simone, Jonathan King, Laura van der Heijden, Jâms Coleman having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaspard De La Nuit: II. Le Gibet - Duo-Art 0219 Br | Maurice Ravel, Peter Phillips | A Minor | 2 | 8A | 125 BPM | ||
Brown Brown Baby | Brandee Younger | B♭ Major | 1 | 6B | 96 BPM | ||
A Chloris in E Major (Arr. for Piano by William Youn) | Reynaldo Hahn, William Youn | E Major | 0 | 12B | 105 BPM | ||
Violin Concerto in D Minor, BWV 1052R: Violin Concerto in D Minor, BWV 1052R/I. Allegro | Johann Sebastian Bach, Leonidas Kavakos, The Apollon Ensemble | F♯ Minor | 4 | 11A | 118 BPM | ||
Sinfonia da Requiem, Op. 20: III. Requiem aeternam. Andante molto tranquillo | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | D Major | 2 | 10B | 148 BPM | ||
Deep Blue Day - Piano Version | Roger Eno | E Major | 0 | 12B | 136 BPM | ||
Rich and Famous | Renaud Capuçon, Les Siècles, Duncan Ward | A Major | 1 | 11B | 94 BPM | ||
Love of My Life | Freddie Mercury, HarpistKT | F Major | 1 | 7B | 78 BPM | ||
Valses nobles et sentimentales, M. 61: No. 2, Assez lent, avec une expression intense | Maurice Ravel, Anna Vinnitskaya | F♯ Major | 0 | 2B | 71 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: I. Jig | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM |