"Widmung: I. Allegro moderato con moto - Moderato" by Valentin Silvestrov, Janusz Wawrowski, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee was released on May 10, 2024. Widmung: I. Allegro moderato con moto - Moderato appears to be safe for all ages as it is not explicit. This song is part of Valentin Silvestrov: Widmung & Postludium for Piano & Orchestra by Valentin Silvestrov, Janusz Wawrowski, Jurgis Karnavičius, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee. The song's track number on the album is #1 out of 5 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Widmung: I. Allegro moderato con moto - Moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Widmung: I. Allegro moderato con moto - Moderato by Valentin Silvestrov, Janusz Wawrowski, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Widmung: I. Allegro moderato con moto - Moderato being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyrical Pieces, Op. 12: No. 1, Arietta | Edvard Grieg, Denis Kozhukhin | E♭ Major | 0 | 5B | 76 BPM | ||
Limu, limu, lima (Arr. Schindler for Piano) | Lang Lang | E Minor | 0 | 9A | 69 BPM | ||
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Two Aquarelles: Lento, ma non troppo | Frederick Delius, English Chamber Orchestra, Benjamin Britten | B♭ Minor | 0 | 3A | 133 BPM | ||
Polovtsian Dances from Prince Igor (piano arr. by L. Faulkner) | Alexander Borodin, Luke Faulkner | A Major | 1 | 11B | 72 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM |