"Heure exquise (From La Veuve joyeuse)" by Gautier Capuçon, Orchestre de chambre de Paris, Lionel Bringuier was released on November 3, 2023. The duration of Heure exquise (From La Veuve joyeuse) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Heure exquise (From La Veuve joyeuse)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 22 in Destination Paris by Gautier Capuçon. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Heure exquise (From La Veuve joyeuse)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Heure exquise (From La Veuve joyeuse) by Gautier Capuçon, Orchestre de chambre de Paris, Lionel Bringuier is Allegro (fast, quick, and bright), since this song has a tempo of 141 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvorák: From the Bohemian Forest, Op. 68: V. Silent Woods | Antonín Dvořák, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | D♭ Major | 1 | 3B | 84 BPM | ||
Adagio En Sol Mineur | Academy of St. Martin in the Fields, Iona Brown | C Minor | 2 | 5A | 74 BPM | ||
Madame Butterfly: Coro a bocca chiusa | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 0 | 6B | 94 BPM | ||
Schumann: Adagio and Allegro in A-Flat Major, Op. 70: II. Allegro, rasch und feurig (Live) | Robert Schumann, Martha Argerich, Gautier Capuçon | A♭ Major | 2 | 4B | 90 BPM | ||
Wiener Bonbons, Walzer, Op. 307 | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | N/A | N/A | N/A | 0 BPM | ||
Barcarolle (From Les contes d’Hoffmann) | Jacques Offenbach, Gautier Capuçon, Orchestre de chambre de Paris, Lionel Bringuier | F♯ Minor | 1 | 11A | 184 BPM | ||
Britten: Cello Sonata in C Major, Op. 65: I. Dialogo | Benjamin Britten, Gautier Capuçon, Frank Braley | E Minor | 0 | 9A | 76 BPM | ||
Dutilleux: Trois strophes sur le nom de Sacher: No. 3, Vivace | Henri Dutilleux, Gautier Capuçon | D♭ Major | 1 | 3B | 70 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 75 BPM | ||
Satie / Orch. Ducros: Gymnopédie No. 1 | Erik Satie, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | G Minor | 0 | 6A | 170 BPM |