"Ives : The Housatonic at Stockbridge" by Charles Ives, Susan Graham was released on March 1, 2004. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Charles Ives, Susan Graham & Pierre-Laurent Aimard's "Ives : Concord Sonata & Songs" album is number 2 out of 21. Ives : The Housatonic at Stockbridge is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ives : The Housatonic at Stockbridge by Charles Ives, Susan Graham to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
25 Preludes, Op. 64: No. 2 in E Minor: Moderato assai | César Cui, Jeffrey Biegel | E Minor | 0 | 9A | 68 BPM | ||
El sombrero de tres picos, Pt. 1: II. La tarde | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | G Minor | 0 | 6A | 127 BPM | ||
Hyperprism | Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee | D♭ Major | 3 | 3B | 143 BPM | ||
Ligeti : Hamburg Concerto : III Aria, Aksak, Hoketus | György Ligeti, Reinbert de Leeuw | C Major | 1 | 8B | 114 BPM | ||
The Housatonic at Stockbridge | Charles Ives, Victoria Villamil, Joel Sachs, Cheryl Seltzer, Continuum | D♭ Major | 0 | 3B | 96 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Les heures persanes, Op. 65: No. 1. Sieste, avant le depart: Lent | Charles Koechlin, Ralph van Raat | B Major | 0 | 1B | 66 BPM | ||
Belshazzar's Feast, JS 48: Act I: Alla marcia | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | A Major | 2 | 11B | 69 BPM | ||
Nocturnes, L.91: III. Sirènes | Claude Debussy, Cleveland Orchestra, Pierre Boulez, Ladies of the Cleveland Orchestra Chorus | F♯ Major | 0 | 2B | 81 BPM |