"Weird Fishes/Arpeggi" by Matt Haimovitz, Christopher O'Riley was released on February 5, 2016. Weird Fishes/Arpeggi is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 27 in the song's album "Shuffle. Play. Listen". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. Weird Fishes/Arpeggi is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Weird Fishes/Arpeggi by Matt Haimovitz, Christopher O'Riley having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 in D Minor: III. Adagio | Nancy Dalberg, Nordic String Quartet, Heiðrun Petersen, Mads Haugsted Hansen, Daniel Eklund, Lea Emilie Brøndal | G Minor | 0 | 6A | 104 BPM | ||
Kol Nidrei, Op.47 - Adagio on Hebrew Melodies for Cello and Orchestra (Adagio ma non troppo) | Max Bruch, Matt Haimovitz, Chicago Symphony Orchestra, James Levine | D Major | 1 | 10B | 101 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Elegy for Solo Viola | Igor Stravinsky, Tatjana Masurenko | C Minor | 0 | 5A | 82 BPM | ||
Prelude in B minor | Johann Sebastian Bach/Alexander Siloti, James Rhodes | B Minor | 1 | 10A | 114 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
9:11 Blues | Matt Haimovitz | A♭ Major | 1 | 4B | 75 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | ||
Your Shadow and Inflorescence | Annabelle Chvostek, Matt Haimovitz | D♭ Major | 2 | 3B | 88 BPM | ||
Josquiniana: I. Helas madame | Charles Wuorinen, Brentano String Quartet | D Minor | 0 | 7A | 101 BPM |