"String Quartet No.1 "From The Salvation Army": 3. Adagio cantabile - Allegretto - Andante con moto" by Charles Ives, Emerson String Quartet was released on January 1, 1992. String Quartet No.1 "From The Salvation Army": 3. Adagio cantabile - Allegretto - Andante con moto is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Emerson String Quartet's "Ives: String Quartets Nos. 1 & 2 / Barber: String Quartet" album is number 3 out of 11. In terms of popularity, String Quartet No.1 "From The Salvation Army": 3. Adagio cantabile - Allegretto - Andante con moto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No.1 "From The Salvation Army": 3. Adagio cantabile - Allegretto - Andante con moto by Charles Ives, Emerson String Quartet to be Moderato (at a moderate speed) because the track has a tempo of 110 テンポ, a half-time of 55テンポ, and a double-time of 220 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite, Op. 157b: III. Jeu | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | D Major | 1 | 10B | 85 BPM | ||
Cinderella: 7. Cinderella, once more sitting by the fireside | Eric Coates, BBC Philharmonic Orchestra, John Wilson | G Major | 0 | 9B | 148 BPM | ||
Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM | ||
Taras Bulba: 3. The Prophecy And The Death Of Taras Bulba | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Major | 3 | 3B | 132 BPM | ||
Symphony for Strings in A-Flat, Op. 118a: II. Allegretto furioso (Transcribed from String Quartet No. 10) | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | G Major | 0 | 9B | 69 BPM | ||
Java Suite: Part I: I. Gamelan | Leopold Godowsky, Konstantin Scherbakov | D Minor | 0 | 7A | 88 BPM | ||
Road Movies: III. 40% Swing | John Adams | E Minor | 3 | 9A | 135 BPM | ||
Symphony No. 2: III. Adagio cantabile | Charles Ives, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 0 | 7B | 69 BPM | ||
Piano Concerto No. 1, Op. 45: III. Molto vivace | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | C Minor | 3 | 5A | 76 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM |