Isaac Albéniz, Alicia de Larrocha's 'Iberia - Piano (Pub.1906) - Book 3: 12. Eritaña' came out on February 19, 1988. Iberia - Piano (Pub.1906) - Book 3: 12. Eritaña is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 3 out of 21 in Albéniz: Ibéria; Navarra; Suite Española by Isaac Albéniz, Alicia de Larrocha. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Iberia - Piano (Pub.1906) - Book 3: 12. Eritaña is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Iberia - Piano (Pub.1906) - Book 3: 12. Eritaña by Isaac Albéniz, Alicia de Larrocha is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
Raymonda, Act III: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 1 | 7A | 103 BPM | ||
24 Progressive Lessons, Op. 31: No. 6, Andante | Fernando Sor, Enea Leone | C Major | 1 | 8B | 134 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 | Frédéric Chopin, Alice Sara Ott | F Minor | 1 | 4A | 80 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Pepe Romero, Christine Pendrill, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 0 | 10A | 70 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM |