"Voices of Light: IX. Abjuration - Voice" by Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Steven Mercurio was released on October 24, 1995. Since Voices of Light: IX. Abjuration - Voice is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Voices of Light by Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic, Steven Mercurio. The song's track number on the album is #9 out of 15 tracks. Voices of Light: IX. Abjuration - Voice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Voices of Light: IX. Abjuration - Voice by Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Steven Mercurio has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Voices of Light: IX. Abjuration - Voice being at 80 テンポ, the half-time would be 40 テンポ with a double-time of 160 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for Strings, Percussion and Celesta, Sz. 106: 3. Adagio | Béla Bartók, Detroit Symphony Orchestra, Antal Doráti | B♭ Minor | 0 | 3A | 84 BPM | ||
Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) | Henry Purcell, Baroque Brass Of London, David Hill | B♭ Minor | 2 | 3A | 85 BPM | ||
Sestina (Lagrime D'Amante Al Sepolcro Dell'Amata): III. Dara la notte il sol | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Minor | 1 | 8A | 81 BPM | ||
Keyboard Suite in D Minor, HWV 437: III. Sarabande (Arr. for Chamber Orchestra) | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | D Minor | 0 | 7A | 170 BPM | ||
The Double Theme - Version 1 | Andrew Hewitt | F♯ Major | 3 | 2B | 140 BPM | ||
La nativité du Seigneur: 7. Jésus accepte la souffrance | Olivier Messiaen, Olivier Latry | F Major | 0 | 7B | 85 BPM | ||
Long, Long Time Ago | Javier Navarrete | A Minor | 1 | 8A | 80 BPM | ||
String Quartet No. 1 in F Major, Op. 18 No. 1: II. Adagio affettuoso ed appassionato | Ludwig van Beethoven, Juilliard String Quartet | D Minor | 1 | 7A | 105 BPM | ||
Requiem, Op. 5 (Grande Messe des Morts): 7. Domine Jesu Christe | Hector Berlioz, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel | G Minor | 0 | 6A | 84 BPM | ||
Mass in B Minor, BWV 232 "Hohe Messe": No. 4 Chorus: Et incarnatus est | Johann Sebastian Bach, Carlo Maria Giulini, Bavarian Radio Symphony Orchestra | B Minor | 0 | 10A | 75 BPM |