Tara-Louise Wittwer made "Ab wann wurden Entschuldigungen relevant? - Die Historie der Entschuldigung, Teil 2" available on May 1, 2024. The duration of Ab wann wurden Entschuldigungen relevant? - Die Historie der Entschuldigung, Teil 2 is about 3 minutes long, at 3:13. Based on our data, "Ab wann wurden Entschuldigungen relevant? - Die Historie der Entschuldigung, Teil 2" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 79 in the song's album "Sorry, aber ... [Eine Verzichtserklärung an das ständige Entschuldigen (Ungekürzte Autorinnenlesung)]". In this album, this song's track order is #36. Furthermore, we believe that the track originated from Germany. The popularity of Ab wann wurden Entschuldigungen relevant? - Die Historie der Entschuldigung, Teil 2 is currently unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Ab wann wurden Entschuldigungen relevant? - Die Historie der Entschuldigung, Teil 2 by Tara-Louise Wittwer having a テンポ of 171 with a half-time of 86 テンポ and a double-time of 342 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Teil 11 - Vier Frauen und ein Sommer | Lo Malinke, Sandra Borgmann | A♭ Major | 2 | 4B | 121 BPM | ||
Kapitel 154 - Magic Academy 2 - Der Biss des Wolfes - Fantasy Hörbuch | Jupiter Phaeton, Fantasy Hörbücher, Hörbuch Bestseller | F♯ Major | 3 | 2B | 165 BPM | ||
Kapitel 1 - Eine halbe Ewigkeit | Ildikó von Kürthy | E♭ Minor | 3 | 2A | 138 BPM | ||
Kapitel 31.2 & Kapitel 32.1 - Der Alte muss weg | Carla Berling | A♭ Major | 3 | 4B | 81 BPM | ||
Kapitel 173 - Die Tochter des Leuchtturmmeisters - Karin Adler ermittelt, Band 1 | Ann Rosman, Suzan Erentok | A♭ Major | 1 | 4B | 167 BPM | ||
Kapitel 12 - Große Ärsche im Klassenzimmer - Eine Grundschulmutter schlägt zurück | Benni-Mama, Mirja Boes | F♯ Minor | 3 | 11A | 139 BPM | ||
Kapitel 03 - Mama kann nicht mehr | Julia Knörnschild | C Major | 4 | 8B | 77 BPM | ||
Kapitel 1 - Gegen den Wind - Mein Traum von den Weltmeeren | Sanni Beucke, Julia Dernbach | A Major | 3 | 11B | 128 BPM | ||
Kapitel 13.2 - Mord und Limoncello: Ein Gardasee-Krimi | Elizabeth Horn | F Major | 2 | 7B | 167 BPM | ||
Kapitel 79 - Schwesternblut - Brandenburg-Krimis, Band 1 | Fiona Limar, Lisa Boos | A Major | 3 | 11B | 145 BPM |