"The Well-Tempered Clavier, Book 1, BWV 846: I. Prelude and Fugue in C Major" by Christiane Jaccottet was released on December 6, 2011. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "The Best Baroque キーboard Music". In this album, this song's track order is #8. Based on our statistics, The Well-Tempered Clavier, Book 1, BWV 846: I. Prelude and Fugue in C Major's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Well-Tempered Clavier, Book 1, BWV 846: I. Prelude and Fugue in C Major by Christiane Jaccottet having a テンポ of 138 with a half-time of 69 テンポ and a double-time of 276 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in E Minor, TWV 51:e1: I. Andante | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | E♭ Minor | 2 | 2A | 98 BPM | ||
Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Major | 0 | 6B | 92 BPM | ||
Sinfonia in D Major, F. 64: III. Vivace | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Major | 1 | 3B | 172 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): IV. Gigue | Johann Gottlieb Goldberg, London Baroque | B Major | 3 | 1B | 139 BPM | ||
Telemann: Concerto for four violins - Allegro | Charivari Agréable | F♯ Major | 1 | 2B | 131 BPM | ||
Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47: II. Allegro (Arr. L. Dallapiccola for cello and piano) | Antonio Vivaldi, Martin Rummel, Till Alexander Körber | B♭ Major | 1 | 6B | 94 BPM | ||
Courante La Boucon | Jacques Duphly, Elisabeth Joyé | B♭ Minor | 3 | 3A | 136 BPM | ||
Sonata for 2 Oboes, Bassoon and Basso Continuo No. 6 in C flat, ZWV 181: 3. Adagio | Jan Dismas Zelenka, Heinz Holliger, Maurice Bourgue, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet | C Minor | 1 | 5A | 87 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": II. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
Concerto in G Minor, No. 2, RV 104, La notte: I. Largo - Fantasmi - Presto | Antonio Vivaldi, Frans Brüggen, Orchestra Of The 18th Century | F♯ Minor | 2 | 11A | 146 BPM |