"Die Zufriedenheit Kv 473" by Edith Mathis was released on 1986. The duration of Die Zufriedenheit Kv 473 is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Die Zufriedenheit Kv 473's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 39 in Edith Mathis: Lieder by Karl Engel. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Die Zufriedenheit Kv 473 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Zufriedenheit Kv 473 by Edith Mathis is Andante (at a walking pace), since this song has a tempo of 108 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM | ||
VIII. Aria - Unser trefflicher lieber Kammerherr (Soprano) | Johann Sebastian Bach, Edith Mathis, Kammerorchester Berlin, Peter Schreier | A Major | 2 | 11B | 95 BPM | ||
Wagner: Lohengrin, WWV 75, Act 3 Scene 1: Prelude (Sehr lebhaft) | Richard Wagner, Vienna State Opera Chorus, Rudolf Kempe, Wiener Philharmoniker | G Major | 3 | 9B | 80 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, Andrew Davis, BBC Symphony Orchestra | B♭ Major | 1 | 6B | 82 BPM | ||
Speaking Unto Nations (Beethoven Symphony no 7 - II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | E Minor | 0 | 9A | 83 BPM | ||
Songs of the Auvergne, Book I: 2. Baïlèro | Joseph Canteloube, Sara Macliver, Brett Kelly, Queensland Symphony Orchestra | B♭ Major | 1 | 6B | 92 BPM | ||
Neue Liebeslieder Waltzer, Op.65 - Verses From "Polydora": 15. Zum Schluss: Nun, ihr Musen genug! | Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel, Wolfgang Sawallisch | F Major | 1 | 7B | 95 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
Chopin / Orch. Elgar: Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March": III. Marche funèbre. Lento | Frédéric Chopin, London Philharmonic Orchestra, Sir Adrian Boult | E Major | 4 | 12B | 79 BPM |