"Britten: War Requiem, Op. 66: XIII. Offertorium - "Domine Jesu Christe" (Children's choir)" by Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra had its release date on June 12, 2017. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 20 in Britten: War Requiem by Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Saint Lucia. In terms of popularity, Britten: War Requiem, Op. 66: XIII. Offertorium - "Domine Jesu Christe" (Children's choir) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Britten: War Requiem, Op. 66: XIII. Offertorium - "Domine Jesu Christe" (Children's choir) by Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Heavenly Romanticism | Béla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F Major | 0 | 7B | 96 BPM | ||
Fauré: Requiem in D Minor, Op. 48: I. Introït et Kyrie | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Minor | 0 | 7A | 72 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 1 | 10B | 83 BPM | ||
Symphony No. 1, "Afro-American": III. Humor (Animato) | William Grant Still, Fort Smith Symphony, John Jeter | A♭ Major | 2 | 4B | 127 BPM | ||
Carmina Burana: III. Veris leta facies | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 127 BPM | ||
Variation 3: Con moto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Minor | 0 | 8A | 70 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
Elegy, Op. 58 | Edward Elgar, English Northern Philharmonia, David Lloyd-Jones | F Minor | 0 | 4A | 84 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Symphony for Cello & Orchestra, Op. 68: II. Presto inquieto | Benjamin Britten, Baltimore Symphony Orchestra, Yo-Yo Ma, David Zinman | G Major | 1 | 9B | 95 BPM |