"Pharnaces: "Mio sposo t’arresta" - Lisbon Version, 1735" by Giovanni Bononcini, Antonio Tedeschi?, Real Câmara, Enrico Onofri, Ana Quintans was released on September 29, 2023. Since Pharnaces: "Mio sposo t’arresta" - Lisbon Version, 1735 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Pietro Giorgio Avondano, Real Câmara, Enrico Onofri's "Lusitano Impero: Hidden Gems of the Portuguese Baroque" album is number 5 out of 25. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, Pharnaces: "Mio sposo t’arresta" - Lisbon Version, 1735's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pharnaces: "Mio sposo t’arresta" - Lisbon Version, 1735 by Giovanni Bononcini, Antonio Tedeschi?, Real Câmara, Enrico Onofri, Ana Quintans to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sistite sidera, coeli motus otiamini: No. 7, Et omnis creatura | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla | A Major | 3 | 11B | 93 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Stabat Mater in G Minor: II. O quam tristis | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
Ouverture in E Minor: II. Les plaisirs | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 2 | 7A | 114 BPM | ||
Messa Delli Apostoli: Kyrye II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | ||
F7.15: Se l'aura Spira Tutta Vezzosa | Girolamo Frescobaldi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | G Major | 3 | 9B | 120 BPM | ||
Sylvie: Air pour les cyclopes | Pierre-Montan Berton, Jean-Claude Trial, Reinoud Van Mechelen, A Nocte Temporis | F♯ Minor | 1 | 11A | 104 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": X. Canarie. Die lustigen Bots Leute | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 1 | 1B | 110 BPM |