"Verdi: Rigoletto, Act 1 Scene 13: No. 6, Scene ed Aria, "Gualtier Maldè! … Caro nome che il mio cor" (Gilda, Borsa, Ceprano, Marullo, Chorus)" by Giuseppe Verdi, Maria Callas, Renato Ercolani, William Dickie, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan, Philharmonia Orchestra was released on 1956. Since Verdi: Rigoletto, Act 1 Scene 13: No. 6, Scene ed Aria, "Gualtier Maldè! … Caro nome che il mio cor" (Gilda, Borsa, Ceprano, Marullo, Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi Rigoletto by Giuseppe Verdi, Maria Callas, Tito Gobbi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin. The song's track number on the album is #16 out of 36 tracks. Verdi: Rigoletto, Act 1 Scene 13: No. 6, Scene ed Aria, "Gualtier Maldè! … Caro nome che il mio cor" (Gilda, Borsa, Ceprano, Marullo, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Rigoletto, Act 1 Scene 13: No. 6, Scene ed Aria, "Gualtier Maldè! … Caro nome che il mio cor" (Gilda, Borsa, Ceprano, Marullo, Chorus) by Giuseppe Verdi, Maria Callas, Renato Ercolani, William Dickie, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan, Philharmonia Orchestra has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Verdi: Rigoletto, Act 1 Scene 13: No. 6, Scene ed Aria, "Gualtier Maldè! … Caro nome che il mio cor" (Gilda, Borsa, Ceprano, Marullo, Chorus) being at 68 テンポ, the half-time would be 34 テンポ with a double-time of 136 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Donizetti: Lucia di Lammermoor, Act 3 Scene 6: "Spargi d'amaro pianto" (Lucia, Raimondo, Enrico, Chorus) | Gaetano Donizetti, Maria Callas, Raffaele Arie, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 4 | 10B | 141 BPM | ||
Requiem: I. Requiem | Giuseppe Verdi, Mirella Freni, Christa Ludwig, Carlo Cossutta, Nicolai Ghiaurov, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 137 BPM | ||
Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D♭ Major | 1 | 3B | 93 BPM | ||
Questo 'Mar Rosso' (Marcello/Rodolfo/Colline) - 1997 Remastered Version | Giacomo Puccini, Rolando Panerai, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 97 BPM | ||
Semiramide (1997 - Remaster): Bel raggio lusinghier (Act I) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | F Major | 1 | 7B | 125 BPM | ||
Caro nome | Giuseppe Verdi, Montserrat Caballé, Gianfranco Masini, Orquesta Sinfónica de Barcelona | D Major | 5 | 10B | 120 BPM | ||
Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda | Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 83 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
Carmen (1997 - Remaster), Act I: Sur la place | Georges Bizet, Andréa Guiot/Claude Calès/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM |