Teresa Berganza made "Elitropio d'amor" available on February 4, 2013. The duration of Elitropio d'amor is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Elitropio d'amor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Teresa Berganza con Felix Lavilla al Piano. 8 Canciones Españolas y 7 Canciones Italianas". In this album, this song's track order is #15. Based on our statistics, Elitropio d'amor's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Elitropio d'amor by Teresa Berganza having a テンポ of 151 with a half-time of 76 テンポ and a double-time of 302 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
¡Ya Estoy Dentro! - ¡La Tinoca! | Javier De Burgos, Inés Rivadeneira, Teresa Berganza, Carlos Minguia, Gerardo Monreal, Ana Maria Fernandez, Orquesta de Conciertos de Madrid, Ataúlfo Argenta, Coro Cantores de Madrid | D Major | 3 | 10B | 105 BPM | ||
Se tu m'ami, se sospiri (Arr. by Alessandro Parisotti) | Giovanni Battista Pergolesi, Teresa Berganza, Ricardo Requejo | C Minor | 0 | 5A | 131 BPM | ||
Trece canciones espanolas antiguas: Anda, jaleo | Federico García Lorca, Narciso Yepes, Teresa Berganza | F♯ Major | 4 | 2B | 130 BPM | ||
Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Stefania Malagu, Teresa Berganza, Luigi Alva, Enzo Dara, Hermann Prey, Paolo Montarsolo, Luigi Roni, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | C Major | 4 | 8B | 95 BPM | ||
El tra la la y el punteado | Teresa Berganza, Juan Antonio Alvares Parejo | E Major | 0 | 12B | 0 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Il barbiere di Siviglia / Act 2: No.16 Terzetto: "Ah! qual colpo inaspettato!" | Gioachino Rossini, Hermann Prey, Luigi Alva, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | F Major | 1 | 7B | 123 BPM | ||
La Revoltosa | Teresa Berganza, English Chamber Orchestra | F Major | 5 | 7B | 128 BPM |