William Walton, Academy of St. Martin in the Fields, Sir Neville Marriner made "A Wartime Sketchbook: No. 5, Foxtrots" available on August 1, 1990. The duration of A Wartime Sketchbook: No. 5, Foxtrots is about 3 minutes long, at 3:19. Based on our data, "A Wartime Sketchbook: No. 5, Foxtrots" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Walton: Film Music, Vol. 2 by William Walton, Academy of St. Martin in the Fields. The song's track number on the album is #7 out of 18 tracks. In terms of popularity, A Wartime Sketchbook: No. 5, Foxtrots is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since A Wartime Sketchbook: No. 5, Foxtrots by William Walton, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With A Wartime Sketchbook: No. 5, Foxtrots being at 91 テンポ, the half-time would be 46 テンポ with a double-time of 182 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 141 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Adoration (Version for Solo Violin and String Orchestra) | Florence Beatrice Price, Daniel Hope, Zürcher Kammerorchester | D Major | 1 | 10B | 80 BPM | ||
Tune from the Film by Lana Gogoberidze: When Almonds Blossomed | Giya Kancheli, Khatia Buniatishvili | D Minor | 0 | 7A | 65 BPM | ||
Nocturnes n°7 en mi majeur | Francis Poulenc, Alexandre Tharaud | E♭ Major | 1 | 5B | 87 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
Henry V, A Shakespeare Scenario: II. Interlude. At the Boar's Head | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Choristers of Westminster Cathedral, Academy of St. Martin in the Fields Chorus | C Major | 0 | 8B | 92 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Facade: Tarantella | William Walton, The English Opera Group Ensemble, Dame Edith Sitwell, Sir Peter Pears, Anthony Collins | A♭ Minor | 1 | 1A | 67 BPM |