Richard Wagner, Hans Sotin, Plácido Domingo, Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti made "Lohengrin, WWV 75 / Act 3: "Macht Platz dem Helden von Brabant!"" available on January 1, 2012. Since Lohengrin, WWV 75 / Act 3: "Macht Platz dem Helden von Brabant!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Lohengrin, WWV 75 / Act 3: "Macht Platz dem Helden von Brabant!" is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Lohengrin, WWV 75 / Act 3: "Macht Platz dem Helden von Brabant!" by Richard Wagner, Hans Sotin, Plácido Domingo, Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti having a テンポ of 97 with a half-time of 48 テンポ and a double-time of 194 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Rigoletto / Preludio: Preludio | Giuseppe Verdi, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | C Minor | 0 | 5A | 64 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Lacrimosa | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 2 | 8B | 128 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Gotterdammerung (Twilight of the Gods): Act III Scene 2: Siegfried's Funeral March | Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund | C Minor | 0 | 5A | 174 BPM | ||
Gotterdammerung (Twilight of the Gods): Prologue: Einleitung | Richard Wagner, Lance Ryan, Johannes Martin Kränzle, Jochen Schmeckenbecher, Gregory Frank, Susan Bullock, Anja Fidelia Ulrich, Claudia Mahnke, Meredith Arwady, Angel Blue, Britta Stallmeister, Jenny Carlstedt, Katharina Magiera, Frankfurt Opera Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | A♭ Major | 2 | 4B | 116 BPM | ||
Die Meistersinger von Nürnberg, Act 1, Scene 2: Der Meister Tön' und Weisen | Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra | C Major | 3 | 8B | 81 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM |